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NO 1– 2009
HIGHEST STANDARDS IN FINE ART SHIPPING
 

 


PACIN (Packing, Arthandling, & Crating Information Network)
The Technical Resource That Will Help You Succeed
 

It sounds simple:  “PACIN is dedicated to building a museum industry network of information and resources available for the educational dialogue of professionals interested in the high standards of art and artifact handling”, but… the reality of harnessing the creativity and energy of the worldwide herd of arthandlers turns out to be a challenge. PACIN’s mandate has always been to help facilitate a common language and craft among Museums and for-profit Arthandling companies, but the speed of innovation and the variety of institutions makes the task a challenge.




 
     Brent Powell - PACIN Chair

The PACIN website speaks for itself - www.pacin.org . Please go there while reading this article, because the variety of information on the reinvented website is astounding. With two clicks, we are seeing the notes from a November 2008 Arthandling Workshop in Los Angeles featuring Kevin Marshall, Head Preparator at the Getty Villa; Joe Fronek, Paintings Conservator at LACMA Conservation Center; and Jacqueline Cabrera, Assoc Registrar at the Getty Villa, (among many experts) reviewing the latest in Arthandling Basics. With another click on the new Featured Link, we are reviewing a list of videos documenting how the National Museum of the American Indian moved their collection. I especially like the feature on Barcoding Equipment. On the same PACIN Homepage, we see features on ‘Tools/ Scissors’, ‘Basics: Moving Crates’, and the unusual ‘Case Roller’ by Mark Slattery, Senior Arthandling Technician at the National Gallery in London.
The man responsible for guiding the new PACIN is Brent Powell, Head of Preparation at the Asian Art Museum/ San Francisco and the new PACIN Chair. This is Brent’s second stint as Chairperson, and we wanted to ask him more about the organization.

The man responsible for guiding the new PACIN is Brent Powell, Head of Preparation at the Asian Art Museum/ San Francisco and the new PACIN Chair. This is Brent’s second stint as Chairperson, and we wanted to ask him more about the organization.

ICEFAT: It looks like you have some of the best talent in the art-handling field featured on the website. How are you connecting with these people and how difficult has it been to get them to participate?

Brent: We are extremely excited about the talented people who are helping with the website articles and other publications. They are mostly colleagues we have worked with over the years or referrals from friends within the museum industry.

The technical side of the arthandling profession is often not in the limelight. But professionals want to share their ideas as well as to learn from others, and it is this exchange of creativity that is central to the mission of the PACIN group.

ICEFAT: Has the Internet helped open new communications possibilities? What audience are you hoping to attract/ find with the website?

Brent: The PACIN Website has been extremely successful in reaching out and
finding individuals whom we "do not know", as well as establishing a hub for sharing and archiving information. Before the PACIN Website was established we relied mainly on mailings, newsletters, and word of mouth. What we have now is far superior.

Over the last 8 months the PACIN Website has been redesigned to include new graphics, articles, and links relating to equipment, materials, educational opportunities, and employment. As always I invite everyone to log on and have a look at what has changed, and participate by contributing to the resource topics. For more information regarding the Website, or interest in contributing an article, contact Ashley McGrew, PACIN Publications Chair at AMcGrew@getty.edu.

ICEFAT: You have made it clear that you want to continually refresh the PACIN Board with new talent, both from museums and the for-profit industry. How is that progressing?

Brent: The reason is simple: new blood and growth. PACIN has evolved since it was first established in 1990, but is ready for change and innovation. The vision I am implementing and a new group of board members will be essential to realize our mission. PACIN is being restructured to be more efficiently managed by a committee of 5: Chair, Vice Chair and three Sub Committee Heads.

The other major change is organizing a non-voting Advisory Board of 10, composed of a cross- section of individuals from the museum profession and the commercial sector. The interest in this change has been dramatic and will be announced at the AAM Meeting in Philadelphia.

ICEFAT: How did you get involved again in the governance of PACIN?

Brent: I resigned as PACIN Chair in 1999, after serving since 1992. I carefully followed the group's growth and became a Steering Committee member again in 2004. After living and working in Australia, I wanted to re-join the group, and offered to return as PACIN Chair, but I clearly stated that I wanted to change and refocus the organization. I appreciate the present Steering Committee’s desire to take the next step.

As I said, professional arthandlers are not always in the spotlight. Many of us network and seek out the latest and best ideas. I do this as part my career and enjoy being able to help other colleagues in this pursuit. All in all, the mission of PACIN as a Professional Interest Committee of AAM is a good fit for me.

ICEFAT: Thank you, Brent.

Mike Hascall
Project Manager/ Owner
Artech Fine Art Services

 
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