ICEFAT HOME
  ABOUT ICEFAT
  ICEFAT NEWS
  ICEFAT MEMBERS
  REACH ALL MEMBERS
  MEMBER'S AREA
   
 
 
  ICEFAT Newsletter #1  

 


TRANSPORTING ARTWORKS CAN BE SCARY FOR MUSEUM REGISTRARS


Keep us informed about artworks in transit. Ring immediately if something goes wrong! That's the plea from Beverly Balger Sutley, registrar at the Palmer Museum of Art in Pennsylvania.

Alongside her regular job at the museum, Beverly Balger Sutley is also chairwoman of the AAM Registrars' Committee, where AAM stands for the American Association of Museums. She's speaking on behalf of museum customers using fine art transporters.

- When we send our artworks out, we are first and foremost concerned for their safety. It's a nerve-racking experience, sending away valuable works of art, and we're worried about losing contact with them, she says.

When Beverly Balger Sutley and her colleagues at many renown museums send goods away within the United States, they are always able to go along with the goods being transported when circumstances dictate.

- I'm not saying it happens often, but it does happen. I've been on some horrible trips. But when we send something say to Europe, then we have to be able to just let it go out of our immediate control. We're totally dependent on the transporter being our eyes and ears.

CONSTANT REPORTS
So it's important that the transporter keeps Beverly Balger Sutley and her colleagues informed about whatever happens on the journey. They need constant reports on the whereabouts and safety of their artworks. They also want to know that the goods have arrived in good order. And above all - they want to be informed if something unexpected happens on the journey. They also expect the transporter to deal with any couriers traveling with the goods.

- On one occasion, our courier was on the plane, but not the goods. That got us extremely concerned. Someone somewhere had simply not done their job, which was to see that the courier and the goods were on the same plane. But that happened a long time ago now.

Another incident ended much better. A plane carrying a valuable art consignment had engine trouble and landed in France. On that occasion, Beverly was kept informed the whole time as to what was happening and how the items were being sent on.


FEEL SECURE
- It's vital that transporters know the trick of improvising when something unexpected happens. But even then, we want to know what's happening.

The customer is always right - so it's said. But where complex services like these are concerned, it's not always true.
- Of course we want to make demands, for example about special packaging. We're very picky. But at the same time, the art transporters are the experts, and we expect them to tell us how something can be done if there's a better way than what we've asked for.

Beverly Balger Sutley is glad that ICEFAT exists. It makes it easier to find good transporters in different countries. The standards set for membership are a quality mark.

- Even though transporting makes us nervous, it almost always goes well. Many of the transporters are very well known and have good reputations. We feel secure being able to turn to their colleagues within the same organization, she says.

 

 

Back to
Newsletter 1 Home
INTERNATIONAL CONVENTION OF EXHIBITION AND FINE ART TRANSPORTERS
  CONTACT INFORMATION:  
  P.O. Box 94, 2120AB Bennebroek, the Netherlands, Telephone +31 23 584 9639, Fax +31 23 584 1236, General Information: icefat@igr.nl  
 
Send mail to ICEFAT with questions or comments about this web site.